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Water Vessel Translations Miniatures
Lost PLA and wax casted bronze and aluminum.  
This work continues the exploration of how materials carry meaning—how a form can shift from fragile to solid, from clay to glass to 3D printed PLA to metal, without losing its emotional resonance. The bronze and aluminum surface holds traces of both its digital origin and its molten past, existing at the intersection of craft, technology, and time.

The aluminum pieces are divided into two distinct approaches: one group preserves the raw 3D-printed structures, leaving the supports visible as an intentional part of the composition. These remnants of the digital process become sculptural elements themselves—evidence of the object’s construction and a quiet acknowledgment of its technological origin.

The second group introduces wax over the printed forms, creating richly textured surfaces that blur the boundary between mechanical and organic, smooth and tactile.

Cast in aluminum, the works occupy a space between permanence and experimentation. The metal’s reflective yet muted surface reveals subtle shifts in texture and form, emphasizing the dialogue between process and material.

Together, these translations continue my inquiry into how form evolves through scale, substance, and time —how something once molded in clay can be reborn in metal, carrying both memory and transformation within its surface.
2022, ART
sculpture, photography, production design, art direction, prop styling, floral


© Anahit Pogosian, MMXXV